Wednesday, February 25, 2009

St. Patrick students learn to act out

Kids gets special arts classes thanks to grant

BY MARGARET SAMBOL  February 16, 2009
Students at St. Patrick Catholic School in Barrhaven are learning to find the drama in stories and to project their emotions outward. In just a few days, actor, director and writer Eleanor Crowder and storyteller Katherine Grier have managed to have a big impact on the kids.

Eleanor Crowder/Katherine Grier

“We learned how to use our voices and cool techniques to warm our voices up where you vibrate your face, and your arms and your ribs,” says Grade 6 student Chelsea Atwood.
“We learned how to project our voices,” adds classmate Gabriel Correoso.

“We learned to write music to a song – like a remix – to a story,” says another Grade 6 student Emma Bissonnette. “I loved the games: geometry, gears and spotlight.”

Crowder explains that gears is a game to teach the students how to m
ove a lot of people safely and in a dramatic fashion. Once they learn the skill in the game, they don’t have to think about it and can instead focus on developing their character.

“It was all signals with the eyes,” Chelsea says, explaining how the students had to learn how to move on stage without touching each other and without speaking.

“You can’t bump into people or you’re out,” adds Emma.
The games help Crowder move much quicker into more advanced skills.

“It lets them be successful at something which is difficult,” Crow
der says.

The artists have been working with classes from Grade 1 to 6 at
 St. Patrick so each lesson is tailored to the level of the students.

Grier began by telling the children stories that resonate with them because of their use of universal themes and myths that they understand innately.

Then Crowder was able to build on that base as she taught skills to dramatize the story and the characters.

“My job is to get some material into them so the others have stories to work with,” Grier explains. Each class has been entrusted with a story to keep along the theme of stewards of God’s creation. “They’ve taken their story to Eleanor who has been able to take aspects to work with movement and theatre.”

Without much time, Grier works on ensuring the students grasp the shape of the story using imagery and by challenging them to put themselves in the story and look at it from a first person view. The exercise of feeling and seeing what the character does is an excellent preparation f
or drama.

“By the end of the class, they were doing very expressive, full body movement,” Crowder reports.

Grier tells traditional stories that have been handed down over generations.

“Stories are interesting because they are about us; us under 
different circumstances,” Grier says.

One story she passed on is the Kindly Ghost, an old folk tale from the Sudan. The main character is abandoned by his brothers in a drought, but through kindness wins the help of animals and a friendly ghost. His goodness is rewarded when he gets a pouch that grants wishes and he uses it well, but his brothers steal it from him and use is wrongly. But those animals he had helped return the favour and help him retrieve the pouch and restore the land after the brothers’ wishes had damaged it and the brothers are justly banished.

“They soak it in,” Grier says, noting that themes such as justice, right and wrong and bullying resonate through the ages.
Crowder’s lessons focus on teaching the children to express themselves, through voice, movement and body language.

“I find theatre to be the most powerful thing you can do – it’s the most effective way of communicating,” Crowder says, explaining her passion. “Acting is a natural as breathing.”

However, if children aren’t exposed to drama, Crowder sees that they stop exploring their capacity and begin to think that they could never do it.


GRANT

Teacher Ann Powers applied to MASC for the grant to have the artists come into the school.

“I love the arts and I wanted to ensure the students have a rounded experience,” Powers says.

And it’s not over yet. Another two artists, dancer and choreographer Maureen Shea and eco-sculptor Marc Walter will be spending a week with the student
s in mid-February.

Marc Walter/MaureenShea 

Powers says she applied for the grant hoping the children would develop an interest in the arts and discover their own gifts and talents.

“The arts help children who are less prone to academics find their voice,” Powers says.

As well the teachers are learning new skills that they can use to continue to develop an appreciation of the arts in their students.

Grade 6 teacher Tina Dougan says she’s already used some of the games in different ways in her classroom. One game required the students to focus to jump back and forth from solo to group activities and another had the students visualizing the character they are reading about in their novel.

As well, the arts lessons tie in well with the curriculum in developing language, comprehension, visualization and drama.

She says her students have been very receptive to the stories as well as the theatrical games.

“They’re learning to put themselves in a scene and dramatize it effectively,” Dougan says. “It’s opening them up to what being dramatic means. They have a better idea of what that entails and how to bring it out of themselves.”

MASC is a non-profit organization that connects artists with schools to promote the arts.



margaret.sambol@nepeanthisweek.com

Tuesday, December 2, 2008

LiterARTcy

Chris Jackson

Daniel Richer

Alvaro De Manaya

Marc Walter



LiterARTcy was a full day of teacher workshops for teachers from both the Ottawa Public and the Ottawa Catholic School Board, held on Tuesday November 18th. There were approximately 80 teachers attending and the four artists participating were: Chris Jackson, Marc Walter, Daniel Richer and Alvaro De Minaya, representing music, visual arts and literary arts.  

    Each artist offered a morning and afternoon workshop of 2 hours each, and there was a maximum of 20 teachers in each group. The focus was to highlight the connection between Literacy and the Arts. It was held at the beautiful site of Strathmere House in North Gower.  

MASCParade


Colores Andinos



Diane Bouchard


Alan Shain


Mehdi Hamdad


Ian Tamblyn



Library and Archives Canada, 395 Wellington Street, Ottawa  Nov. 5th


MASC, celebrating 20 years of artistic excellence for schools and communities, was very proud to stage its new fundraiser, MASCparade, a festive evening featuring performances by MASC artists and an art draw facilitated by members of the energetic theatre group Company of Fools.  Hosted by town crier and storyteller Daniel Richer, MASCparade was full of magical moments, good food and entertainment. 


Mercredi 5 nov. Bibliotèque et Archives Canada, 395 rue Wellington, Ottawa


Soulignant ses 20 années d'excellence artistique dans les écoles et la communauté, MASC fût très fière de présenter une soirée mettant en vedette les artistes de MASC ainsi qu'un tirage d'œuvres d'art. Le tirage fût dirigé par le dynamique Scott Florence de la troupe théâtrale Company of Fools et la soirée présidée par le conteur et crieur public Daniel Richer.


Participating Artists / en vedette :

Daniel Richer ; Company of Fools; Diane Bouchard; Maureen Shea; Yvon Soglo; Alan Shain; Denise Chong; Ian Tamblyn; Mehdi Hamdad; Colores Andinos

Students enjoy a week full of drama, courstesy of Jacqui Russell


The students at Clifford Bowey Public School received a unique experience this past week when Chicago theatre artist, Jacqui Russell, taught drama classes from Nov. 10 until Nov. 13.

Each day she had four drama classes where all of the school’s 104 students attended. Clifford Bowey students all have developmental disabilities and many of them are non-verbal or have very limited communications skills.

For the last 12 years Ms. Russell has been working with autistic children in Chicago at the Agassiz Elementary School in Chicago and her work with those children is world-renowned.

“We jumped at the chance even though we weren’t sure what a drama workshop would look like for our students,” said Helen Jarvis, principal at Clifford Bowey. “It has been a wonderful week with lots of participation and enjoyment and imitation and lots of laughter.”

During the 40-minute class Ms. Russell, who is also the founder and artistic director of the Chicago Children’s Theatre, uses song, repetition and team work to build on communication skills.

“I’m an artist in residency, so I’m just here to use drama to enhance communication skills in the children with autism,” said Ms. Russell. “I think drama is very important for children with autism. I’ve been doing this for 12 years in Chicago and I’ve seen great results with enhancing the kids ability to express and read emotions as well as their general sociability.”

Currently drama classes are not a very common practice in schools to aid autistic students, but Ms. Russell hopes that will change over the coming years.

Over the course of the week, both Ms. Russell and Ms. Jarvis noticed that children who didn’t participate during day one became involved later on because the concept was becoming more familiar to them and less intimidating.

“I enjoy working with children with disabilities; I think it’s a puzzle and we are working to unlock them and figure out and it’s very rewarding and very fun to be with these kids,” said Ms. Russell. “I’m just really happy to of have this opportunity to share with them.”

This is the first workshop Ms. Russell has held outside of the Chicago school. This program was funded by the United States Embassy and put on through Chicago Arts Partners in Education (CAPE), an American organization that places teaching artists in schools in connection with its Canadian equivalent, Multicultural Arts for Schools and Communities (MASC).

“I jumped at the chance to come to Ottawa,” she said. “I used to work for the Ontario government Ministry of Culture in New York and I travelled to Toronto a number of times but I had never been to Ottawa. I love the people here, the dedication to the arts is really very special here.”

MASC selected Clifford Bowey as the school to receive these classes as a way to provide an experience the students may otherwise not benefit from.

“It would be very difficult for our students to go to a theatre or concert because they would be moving or making spontaneous noises that would distract others so most of our students would never have a change to go to the NAC or a movie theatre unless we take them and have a special showing,” said Ms. Jarvis. “We really feel like we would like to enrich those experiences at school. MASC has come to see what our school is all about and they are attuned to the need of our students.”

Drama is a new venue at Clifford Bowey and Ms. Jarvis was pleased with how well Ms. Russell worked and communicated with non-verbal children.

“We have done many things with physical activity, we do lots of field trips, the children swim they have a lot of gym activities but we have done little in the field of drama and so I think it’s a whole new avenue for us to explore what our children are able to show us through the dramatic arts,” Ms. Jarvis said.

Ms. Russell was in Ottawa for a week and along with doing the classes at Clifford Bowey she also put on workshops for teachers and artists.

“I’m taking some of the techniques I use in Chicago and sharing them,” said Mr. Russell.

“The long-term goal is to teach [students] a huge vocabulary of emotions. We’ve been doing it over the years in Chicago using photographs, bulletin boards, games and ultimately our kids can identify emotions and that allows them to have more complex communication.”

Chicago theatre artist, Jacqui Russell, assists a Clifford Bowey Public School student during a drama workshop. Ms. Russell spent a week at the school to conduct workshops for the students.

EMC Ottawa South - Friday, November 21, 2008   By Sheena Bolton  sbolton@thenewsemc.ca

Monday, November 10, 2008

Jacqueline Russell article

Todd Leland and Jacqueline Russell

She spearheaded the campaign that gave Lookingglass one of the most enviable addresses in American theatre, but Jacqueline Russell's newest project may be the most challenging one yet